Nadia Simonenko Quotes

“Hey, it's not a problem," she says, still smiling at me. "If you feel bad about it, pay me in cocoa and I'll do it with you all night if you want."Craig bursts out laughing and Maria looks up at him confused. I groan and press my face into my good hand. Even in college, we're still just a bunch of children sometimes."What's so... eew!" gasps Maria as she finally gets it. Her face turns red as she covers her mouth with her hands to stifle her giggling.”

“Hey, it's not a problem," she says, still smiling at me. "If you feel bad about it, pay me in cocoa and I'll do it with you all night if you want."Craig bursts out laughing and Maria looks up at him confused. I groan and press my face into my good hand. Even in college, we're still just a bunch of children sometimes."What's so... eew!" gasps Maria as she finally gets it. Her face turns red as she covers her mouth with her hands to stifle her giggling.”

“Loving isn't merging, surrendering, uniting with the other. Rather, it's a kind of solitude; of profound aloneness. It induces you to mature and become whole for the sake of your beloved ... to truly love another, you must first wholly love yourself. Love therefore exacts the most demanding claim of all; it both chooses you and pursues you, and reaches out, as if over vast distances, to call and draw you into your now and future self."-- John VanDyke Wilmerding, ideas put forth inspired by ('after') Rainer Maria Rilke's 'Letters to a Young Poet”

“I think it was then that it dawned on me that Mum wasn't going to notice Chris was missing. She has been made so that she thinks Chris is just round the corner all the time. She doesn't realise that she never sees him. I don't know why I didn't understand earlier. If Aunt Maria can turn Chris into a wolf, she's surely strong enough to do this to Mum- except that it seems a different kind of thing, much more natural and ordinary, and I didn't really think she could do both kinds.”

“Maria, lonely prostitute on a street of pain,You, at least, hail me and speak to meWhile a thousand others ignore my face.You offer me an hour of love,And your fees are not as costly as most.You are the madonna of the lonely,The first-born daughter in a world of pain.You do not turn fat men aside,Or trample on the stuttering, shy ones,You are the meadow where desperate menCan find a moment's comfort.Men have paid more to their wivesTo know a bit of peaceAnd could not walk away without the guiltThat masquerades as love.You do not bind them, lovely Maria, you comfort themAnd bid them return. Your body is more Christian than the Bishop'sWhose gloved hand cannot feel the dropping of my blood.Your passion is as genuine as most,Your caring as real!But you, Maria, sacred whore on the endless pavement of pain,You, whose virginity each man may make his ownWithout paying ought but your fee,You who know nothing of virgin births and immaculate conceptions,You who touch man's flesh and caress a stranger,Who warm his bed to bring his aching skin alive,You make more sense than stock markets and football gamesWhere sad men beg for virility.You offer yourself for a fee--and who offers himself for less?At times you are cruel and demanding--harsh and insensitive,At times you are shrewd and deceptive--grasping and hollow.The wonder is that at times you are gentle and concerned,Warm and loving.You deserve more respect than nuns who hide their sex for eternal love;Your fees are not so high, nor your prejudice so virtuous.You deserve more laurels than the self-pitying mother of many children,And your fee is not as costly as most.Man comes to you when his bed is filled with brass and emptiness,When liquor has dulled his sense enoughTo know his need of you.He will come in fantasy and despair, Maria,And leave without apologies.He will come in loneliness--and perhapsLeave in loneliness as well.But you give him more than soldiers who win medals and pensions,More than priests who offer absolutionAnd sweet-smelling ritual,More than friends who anticipate his deathOr challenge his life,And your fee is not as costly as most.You admit that your love is for a fee,Few women can be as honest.There are monuments to statesmen who gave nothing to anyoneExcept their hungry ego,Monuments to mothers who turned their childrenInto starving, anxious bodies,Monuments to Lady Liberty who makes poor men prisoners.I would erect a monument for you--who give more than most--And for a meager fee.Among the lonely, you are perhaps the loneliest of all,You come so close to loveBut it eludes youWhile proper women march to church and fantasizeIn the silence of their rooms,While lonely women take their husbands' armsTo hold them on life's surface,While chattering women fill their closets with clothes andTheir lips with lies,You offer love for a fee--which is not as costly as most--And remain a lonely prostitute on a street of pain.You are not immoral, little Maria, only tired and afraid,But you are not as hollow as the police who pursue you,The politicians who jail you, the pharisees who scorn you.You give what you promise--take your paltry fee--andWander on the endless, aching pavements of pain.You know more of universal love than the nations who thrive on war,More than the churches whose dogmas are private vendettas made sacred,More than the tall buildings and sprawling factoriesWhere men wear chains.You are a lonely prostitute who speaks to me as I pass,And I smile at you because I am a lonely man.”

“Sometimes I feel she hasn't left...especially when I wear the photo charm necklace with her picture in it. I can't tell you how many young men have stared into that picture and the reaction is always the same: a slow beam rises across their faces and they want to know all about her. They become entranced the way Dana Andrews did when he first saw Gene Tierney's portrait in "Laura." I know Maria finds all of this quite amusing; why shouldn't she? 'Laura' is her middle name.”

“Levi," Maria called. "Come back. We're not finished yet."He paused"What, Maria?""You asked me what I believe in? I believed in you."He nodded his head sadly. "Yes, you did. And before you met me, you believed in nothing. But that's the thing with belief, Maria. It's easy to believe in something when it doesn't require anything from you. It's much harder, though, when the object of your belief requires something of you or asks for something you don't want to give. That's when real belief occurs.”

“If anything at all, perfection is not when there is nothing to add, but when there is nothing left to take away.”

“If you have feelings about reading, you feel the rhythm of prose or of a poem like music. It awakens something in your soul and then of course you study, read, you grow up and you begin to understand the message and that is the first step towards understanding life.”

“Books are left untouched. Fanaticism became our trait.. Now more than ever we let others feed our minds and we became the zombie society walking around without purpose, without care, without vision.”

“If your love for […] wants to do something now, then its work and task is this: to catch up with what it has missed. For it has failed to see whither this person has gone, it has failed to accompany her in her broadest development, it has failed to spread itself out over the new distances this person embraces, and it hasn’t ceased looking for her at a certain point in her growth, it wants obstinately to hold fast to a definite beauty beyond which she has passed, instead of persevering, confident of new shared beauties to come.”—from letter to Paula Modersohn-Becker Bremen (February 12, 1902)”