Desire, Desire, Desire!Desire to love,Desire to live,Desire to learn,Desire to dream,Desire to give,Desire to forgive,Desire to grow.
The desire not to be anything is the desire not to be.
One loves ultimately one's desires, not the thing desired.
But sex as a physical act is merely athletics, a momentary relief. What it needs to be powerful is desire, and the strongest element of desire is longing. It's in the work. Desider-, sidus: from the stars. The longing that reaches beyond space and time.
Desire, Desire, Desire!!!Desire to love.Desire to seek.Desire to ask.
Profound desire, true desire is the desire to be close to someone.
Anxiety and desire are two, often conflicting, orientations to the unknown. Both are tilted toward the future. Desire implies a willingness, or a need, to engage this unknown, while anxiety suggests a fear of it. Desire takes one out of oneself, into the possibility or relationship, but it also takes one deeper into oneself. Anxiety turns one back on oneself, but only onto the self that is already known.
The desire to be desire-less is but another desire. The thought that, because this desire purports to be spiritual, it is superior to more mundane desires shows how skilled the mind is at justifying any desire it is attached to.
Ultimately, a woman’s nature loves the desire to be desired, a passionate and uncontrollable desire. Sometimes it comes with a sacrifice or greater investment than usual.
Desire changes its character by 180 degrees. Often, when first aroused, it is felt as the desire to have. The desire to touch is, partly, the desire to lay hands on, to take. Later, transformed, the same desire becomes the desire to be taken, to lose oneself within the desired. From these two opposed moments come one of the dialectics of desire; both moments apply to both sexes and they oscillate. Clearly the second moment, the desire to lose oneself within, is the most abandoned, the most desperate, and it is the one that Caravaggio chose (or was compelled) to reveal in many of his paintings.