Blaise Cendrars Quotes

“Tell me, Blaise, are we very far from Montmartre?'WorriesForget your worriesAll the stations full of cracks tilted along the wayThe telegraph wires they hang fromThe grimacing poles that gesticulate and strangle themThe world stretches lengthens and folds in like an accordion tormented by a sadistic handIn the cracks of the sky the locomotives in angerFleeAnd in the holes,The whirling wheels the mouths the voicesAnd the dogs of misfortune that bark at our heelsThe demons are unleashedIron railsEverything is off-keyThe broun-roun-roun of the wheelsShocksBouncesWe are a storm under a deaf man's skull...'Tell me, Blaise, are we very far from Montmartre?'Hell yes, you're getting on my nerves you know very well we're far awayOverheated madness bellows in the locomotivePlague, cholera rise up like burning embers on our wayWe disappear in the war sucked into a tunnelHunger, the whore, clings to the stampeding cloudsAnd drops battle dung in piles of stinking corpsesDo like her, do your job'Tell me, Blaise, are we very far from Montmartre?”

“Tell me, Blaise, are we very far from Montmartre?'WorriesForget your worriesAll the stations full of cracks tilted along the wayThe telegraph wires they hang fromThe grimacing poles that gesticulate and strangle themThe world stretches lengthens and folds in like an accordion tormented by a sadistic handIn the cracks of the sky the locomotives in angerFleeAnd in the holes,The whirling wheels the mouths the voicesAnd the dogs of misfortune that bark at our heelsThe demons are unleashedIron railsEverything is off-keyThe broun-roun-roun of the wheelsShocksBouncesWe are a storm under a deaf man's skull...'Tell me, Blaise, are we very far from Montmartre?'Hell yes, you're getting on my nerves you know very well we're far awayOverheated madness bellows in the locomotivePlague, cholera rise up like burning embers on our wayWe disappear in the war sucked into a tunnelHunger, the whore, clings to the stampeding cloudsAnd drops battle dung in piles of stinking corpsesDo like her, do your job'Tell me, Blaise, are we very far from Montmartre?”

“A vine from one tree shot out, tripping Blaise. He and Merewyn rolled to the ground. Varian stood between them and the trees, which shot blast after blast at him. He deflected them, but even so the heat from the fire was scorching. 'Go, Blaise,' he said. 'Get Merewyn out of here.'Blaise nodded before he crawled to Merewyn under the barrage.'Hold!'The blast stopped as the three of them froze into place.Again the woman appeared in the fire to stare at them maliciously. 'What is it you do?''I'm crawling,' Blaise answered.”

“Fire. God of Abraham, God of Isaac, God of Jacob, not of the philosophers and the scholars. I will not forget thy word. Amen.”

“When I see the blind and wretched state of men, when I survey the whole universe in its deadness, and man left to himself with no light, as though lost in this corner of the universe without knowing who put him there, what he has to do, or what will become of him when he dies, incapable of knowing anything, I am moved to terror, like a man transported in his sleep to some terrifying desert island, who wakes up quite lost, with no means of escape. Then I marvel that so wretched a state does not drive people to despair.”

“Just as all things speak about God to those that know Him, and reveal Him to those that love Him, they also hide Him from all those that neither seek nor know Him.”

“In every action we must look beyond the action at our past, present and future state, and at others whom it affects, and see the relations of all these things.”

“Eloquence.— We need both what is pleasing and what is real, but that which pleases must itself be drawn from the true.”

“Eloquence is painted thought, and thus those who, after having painted it, add somewhat more, make a picture, not a portrait.”

“Men are so inevitably mad that not to be mad would be to give a mad twist to madness.”

“ContrastsThe windows of my poetry are wide open on the boulevards and in the shop windowsShineThe precious stones of lightListen to the violins of the limousines and the xylophones of the linotypesThe sketcher washes with the hand-towel of the skyAll is color spotsAnd the hats of the women passing by are comets in the conflagration of the eveningUnity There's no more unityAll the clocks now read midnight after being set back ten minutesThere's no more time.There's no more money.In the ChamberThey are spoiling the marvelous elements of raw material("Contrasts")”