Clarissa Pinkola Estés Quotes

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The wild nature has a vast integrity to it. It means to establish one's territory, to find one's pack, to be in one's body with certainty and pride regardless of the body's gifts and limitations, to speak and act in one's own behalf, to be aware, alert, to draw on the innate feminine powers of intuition and sensing, to come into one's cycles, to find what one belongs to, to rise with dignity, to retain as much consciousness as possible. -Clarissa Pinkola Estés, Women Who Run With The Wolves, Singing Over The Bones, P10.

Clarissa Pinkola Estés
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Similar Quotes by Clarissa Pinkola Estés

The wild nature has a vast integrity to it. It means to establish one's territory, to find one's pack, to be in one's body with certainty and pride regardless of the body's gifts and limitations, to speak and act in one's own behalf, to be aware, alert, to draw on the innate feminine powers of intuition and sensing, to come into one's cycles, to find what one belongs to, to rise with dignity, to retain as much consciousness as possible. -Clarissa Pinkola Estés, Women Who Run With The Wolves, Singing Over The Bones, P10.

Clarissa Pinkola Estés
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Some psychological thinkers, including Freud and Bettelheim, have interpreted episodes such as those found in the Bluebeard tale as psychological punishments for women’s sexual curiosity.4 Early in the formulation of classical psychology women’s curiosity was given quite a negative connotation, whereas men with the same attribute were called investigative. Women were called nosy, whereas men were called inquiring. In reality, the trivialization of women’s curiosity so that it seems like nothing more than irksome snooping denies women’s insight, hunches, intuitions. It denies all her senses. It attempts to attack her most fundamental powers: differentiation and determination.”Excerpt From: Clarissa Pincola Estes. “Clarissa Pincola Estes - Women Who Run With The Wolves - Myths And Storie by the Wild Woman Archetype.” iBooks.

Clarissa Pinkola Estés
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Woman with known intentintending to exploreWoman with her senses on the edgeedging for some more..."From my poem, "Known Intent" - The Poetic Art of Seduction - Volume 1©Clarissa O. Clemens

Clarissa Clemens
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2 to 12 hearts 1 beat2 lips will meet2 birds 1 stone2 never b alone2 wills 1 goal2 haves 1 whole2 be in love2 be as One***©Clarissa O. ClemensThe Poetic Diary of Love and Change - Volume 1

Clarissa Clemens
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Back BurnerPut the stress on the back burnerIt only burns its way backPut your thoughts on the futureand it becomes the past..."excerpt from my poem Back Burner from The Poetic Diary of Love and Change - Volume 1©Clarissa O. Clemens

Clarissa O. Clemens, The Poetic Diary of Love and Change
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How often since then has she wondered what might have happened if she'd tried to remain with him; if she’d returned Richard's kiss on the corner of Bleeker and McDougal, gone off somewhere (where?) with him, never bought the packet of incense or the alpaca coat with rose-shaped buttons. Couldn’t they have discovered something larger and stranger than what they've got. It is impossible not to imagine that other future, that rejected future, as taking place in Italy or France, among big sunny rooms and gardens; as being full of infidelities and great battles; as a vast and enduring romance laid over friendship so searing and profound it would accompany them to the grave and possibly even beyond. She could, she thinks, have entered another world. She could have had a life as potent and dangerous as literature itself.Or then again maybe not, Clarissa tells herself. That's who I was. This is who I am--a decent woman with a good apartment, with a stable and affectionate marriage, giving a party. Venture too far for love, she tells herself, and you renounce citizenship in the country you've made for yourself. You end up just sailing from port to port.Still, there is this sense of missed opportunity. Maybe there is nothing, ever, that can equal the recollection of having been young together. Maybe it's as simple as that. Richard was the person Clarissa loved at her most optimistic moment. Richard had stood beside her at the pond's edge at dusk, wearing cut-off jeans and rubber sandals. Richard had called her Mrs. Dalloway, and they had kissed. His mouth had opened to hers; (exciting and utterly familiar, she'd never forget it) had worked its way shyly inside until she met its own. They'd kissed and walked around the pond together.It had seemed like the beginning of happiness, and Clarissa is still sometimes shocked, more than thirty years later to realize that it was happiness; that the entire experience lay in a kiss and a walk. The anticipation of dinner and a book. The dinner is by now forgotten; Lessing has been long overshadowed by other writers. What lives undimmed in Clarissa's mind more than three decades later is a kiss at dusk on a patch of dead grass, and a walk around a pond as mosquitoes droned in the darkening air. There is still that singular perfection, and it's perfect in part because it seemed, at the time, so clearly to promise more. Now she knows: That was the moment, right then. There has been no other.

Michael Cunningham, The Hours
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Forgive me for saying so, Your Highness," Clarissa said slowly, "but for one as unaccustomed to good deeds as you, perhaps it would be best if you started with one on a smaller scale. Something like, I don't know, spreading bread crumbs for birds?""Birds?" Valentina stared at Clarissa as if she had sprouted wings and would fly off. "Why on earth would I wish to feed birds?""It was just a thought," Clarissa murmured.

Victoria Alexander, When We Meet Again
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Love between women could take on a new shape in the late nineteenth century because the feminist movement succeeded both in opening new jobs for women, which would allow them independence, and in creating a support group so that they would not feel isolated and outcast when they claimed their independence. … The wistful desire of Clarissa Harlowe’s friend, Miss Howe, “How charmingly might you and I live together,” in the eighteenth century could be realised in the last decades of the nineteenth century. If Clarissa Harlowe had lived about a hundred and fifty years later, she could have gotten a job that would have been appropriate for a woman of her class. With the power given to her by independence and the consciousness of a support group, Clarissa as a New Woman might have turned her back on both her family and Lovelace, and gone to live “charmingly” with Miss Howe. Many women did.

Lillian Faderman, Surpassing the Love of Men: Romantic Friendship and Love Between Women from the Renaissance to the Present
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for she could never think of anything to say to Clarissa, though she liked her. She had lots of fine qualities; but they had nothing in common - she and Clarissa.

Virginia Woolf, Mrs. Dalloway
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When the wildish woman has an idea, the friend or lover will never say, "Well, I don't know . . . sounds really dumb [grandiose, undoable, expensive, etc.] to me." A right friend will never say that. They might say instead . . . "I don't know if I understand. Tell me how you see it. Tell me how it will work.

Clarissa Pinkola Estés
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