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One of the happier ironies of recent history is that even as Tibet is being wiped off the map in Tibet itself, here it is in California, in Switzerland, in Japan. All over the world, Tibetan Buddhism is now part of the neighborhood. In 1968, there were two Tibetan Buddhist centers in the West. By 2000, there were 40 in New York alone.

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One of the happier ironies of recent history is that even as Tibet is being wiped off the map in Tibet itself, here it is in California, in Switzerland, in Japan. All over the world, Tibetan Buddhism is now part of the neighborhood. In 1968, there were two Tibetan Buddhist centers in the West. By 2000, there were 40 in New York alone.

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You can only make sense of the online world by going offline and by getting the wisdom and emotional clarity to know how to make the best use of the Internet.

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Alas, those six unfortunate souls who have made their way through my books know that every one of them is about Emerson and Thoreau and their dark counters, Melville and Emily Dickinson. Try as I might, I can't get their inspirations, their challenges and sentences and wisdom and questions out of my head.

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In many a piece of music, it's the pause or the rest that gives the piece its beauty and its shape. And I know I, as a writer, will often try to include a lot of empty space on the page so that the reader can complete my thoughts and sentences and so that her imagination has room to breathe.

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I sometimes think that so much of our life takes place inside our heads - in memory or imagination or interpretation or speculation - that if I really want to change my life, I might best begin by changing my mind.

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To me, part of the beauty of a comma is that it offers a rest, like one in music: a break that gives the whole piece of music greater shape, deeper harmony. It allows us to catch our breath.

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I've yet to use a cellphone, and I've never tweeted or entered Facebook. I try not to go online till my day's writing is finished, and I moved from Manhattan to rural Japan in part so I could more easily survive for long stretches entirely on foot, and every trip to the movies would be an event.

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I can still remember the afternoon, on my 15th birthday, when I opened up 'The Virgin and the Gypsy,' D.H. Lawrence's novella, in my tiny cell in boarding school, and whole worlds of possibility opened out that I had never guessed existed. The language was on fire and sang of liberation.

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I think writing is really about a journey of understanding. So you take something that seems very far away, and the more you write about it, the more you travel into it, and you see it from within.

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We all know how we can be turned around by a magic place; that's why we travel, often. And yet we all know, too, that the change cannot be guaranteed. Travel is a fool's paradise, Emerson reminded us, if we think that we can find anything far off that we could not find at home.

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